Friday, February 20, 2009

First Check Home Drug Testfaint N

The Culture of Creativity


published an extract from 'interesting article in a new friend known to the Congress Este in Rome, on 12 February.
I hope you like what has pleased me. Happy reading!

Maria Cecilia Santarsiero ( Studio Santarsiero )

[...] " unnecessary testing," said Alice. "You can not believe impossible things."
"I would rather say that you have little experience," said the Queen. "When I was your age, I always did for half an hour a day. Sometimes even I could believe six impossible things before breakfast. "
(Alice in Wonderland by Lewis Carroll)

Of the many vital processes that cross the organization today, the culture of creativity is among those most needed to address the complexity of the changes taking place and be able to access the games of the competition.
In the Company of postmodern capitalism, in fact, is no longer producing goods to characterize the market, no longer the technological know-how available to everyone, but it is the knowledge and the knowledge to dictate the forms of competition and profit.
be innovative and fast on such land is the key to remain at the heart of new forms of market development.
The culture of creativity involves the development of consciousness to move into a world where there are no more pre-established models and valid for all situations, where there are no forced schemes, which makes creativity is no longer a feature of some functions or individuals, but an attitude and an ability to be their entire organization.
Creativity can not be learned in a vacuum, is not something that is done on command, is a form of interaction between learners 'el' environment.

But it is also the culture of creativity, the most impudent and the most subversive of the established practices of making daily organization and therefore one that is more resistance in the conquest of space to share and acceptance in hierarchical links in the chain and roles established.

I am speaking here not of artistic creativity as a virtue, genius, innate and / or acquired a particular individual, but rather an orientation of a will, a provision of the creativity that can certainly be the individual but also a community that has chosen to take creativity as a style, its way to experiment in new forms of relationship, address problems and trigger innovation processes.

E 'disposition to believe that what seems impossible has its reason to exist, as well as answer the Queen to Alice, quite disheartened the possibility to believe impossible things. [...]

To make room for the culture of creativity an individual, group, organization must be prepared to destroy it before it builds. (Schumpeter). To understand this, just refer to the more typical actions that we implement in practical activities.
To renew a table of color is necessary to remove what remains of the previous coating, to renovate a house must accept the disappearance of space and functionality that we were accustomed to, even just throw an old habit that we've gotten spoiled mental and emotional energy costs. [...]

Maynard Keynes identified the real problem companies more than half a century ago: "The difficulty lies not in new ideas, but in the evasion of old ideas that branch out to those who have been educated as most of us, in all corners of the mind." [...] The culture of creativity subvert the principles on which very often, corporations, decisions are made:
"has always been done this way, this is the right way to go, our boss wants us to act In this way, according to our research and our data is so you have to do "
replacing it with a principle much more unstructured and anxiety: let's try and see ... [...]

Very often what happens is that instead of just because markets, competitive strategies and regulations change, the pre-existing mental models of customers and their needs, competitors and their strategies, rules of the game and the game itself, changing, as organizations tend to excel in doing so that "it was important yesterday."
directional control systems limit creativity because of their dependence on rationality, order, routine, responsibility, role, power, systems of measurement are the foundations of rationality to which we are so fond of.

Creativity aims to expand the context within which to make the decision, is more concerned with asking the right questions than to arrive to answer as quickly as possible, focusing equally on the careful observation of facts and interpretation of the facts.
It focuses equally on the skills of reflection (which require a certain detachment from the temporal problem) and focus on the intuitive powers that tend to accelerate troubleshooting.
is not the absence of rules that fosters creativity, but it is the excess of rules that inhibit it.

Monday, February 2, 2009

Toe Hurts After Cut From Pedicure

suggested reading: Paul Watzlawick - How to become unhappy


If you are intoxicated, having been thoroughly improbable half a dozen recipes for happiness, if you've had enough of senseless advice guru and sexologists, technocrats and teachers of life, instead of preaching about being and having inner peace, this book is for you. Also, you can not appreciate that this "modest proposal" to learn how to become unhappy, if you feel that the traffic light turns red just for you, and if the assiduous practice of the suspect ended up shaping your intuition, if you say often, 'L' I told ..."; if you try a quiver (of unspeakable joy? of anger?) when targeted by the paradoxical and paralyzing exhortation: "Be spontaneous !"... To attack, in a fit of philanthropy, aspiration so deadly encysted as a concept in our tradition - Happiness -, Watzlawick mobilize all the tricks of argument, all the means, intelligence critical to the black humor, presenting them with an ironic mirror, keeping alive a constant tension between the fun and to recognize the discomfort, but not deprived of the pleasure of 'interpret the message: how to be happily unhappy? how not to get too much unhappiness? or other? (Cover notes)
.......
In these times of crisis, the long faces around us seem to invite us to adjust the mood on the context, as if it was in bad taste to be too happy ... This thought inspired me so the purchase of a very provocative book titled: How to make her unhappy. I will recommend it highly.

advantage of relative peace given to me by a cooling principle, I devoured this short essay with the ravenous greed of a neurotic seeking catharsis: yes, I also from time to time delay in some masochistic game of self-pity. And they smile a detached, aware of the trap, a vice as old as humanity: the illusion dell''infelicità necessary '.

It 's true: we humans like to think that unhappiness is (always and only) out of us, an exogenous variable in short ... an inevitable condition that overwhelms us and we try in vain to flee for life.
Yet happiness is a state of mind that belongs to us just as human beings: it is a quality inherent in freedom and self-consciousness of all sentient beings. Because happiness is above all a choice - because we are free to react to adverse events without being suffocated by them, separating the 'what happens' in life, 'what we' - and is therefore aware of our nature, we forget to remember it when you want to suffer, when we stop obsessively seek the reasons why 'we must' be unhappy.

is worth to bring about the conclusion of the book, quoting Dostoyevsky :
"Everything is good. ... More. Man is unhappy because he can not be happy. For that reason alone. That's it, everything! Who understands it will be happy now, immediately, at the same time ... "

Ve leaving it as a reflection of the evening ...

Good Pro Life Thesis Statements

Les Farfadais - The 'Spirit' Talent

MANA , 'the spirit of things' is the title of this show of 'visual circus' two brothers born from the Italian-French gathered around him a group of artist-athletes with drugs which are preparing to conquer every audience in the world.

Stéphane Alexandre, Emily, Claudia, Francesca are just some of the names I should mention that the company Les Farfadais , but I chose them because they're friends, we ate together, visited Paris together, I was a guest in their loft-gym , I have guests at home and in my camper .... well, I have taken part in their everyday normality. I was able to see 'beyond' the profession, sets and costumes (all rigorously made by Farfadais!) And I tried to understand what lies behind an explosive talent like theirs. I think the first

all there is the absolute knowledge that you have received a gift, the need for sacrifice (you know how much pain is necessary to learn to bear to make those aerobatics?), the responsibilities that come with your choice of profession, discipline, the respect for others (colleagues and the public) and then of course a lot of passion, a passion that devours everything and always.

Stéphane Alexandre and are always in place, even when they are on the ground, and constantly create all intrigues and inspires them to create: they all have a relationship with the reality that seem to constantly transcend perfectly embodies the Mana , that 'spiritual energy which gives its name to their most famous show. Their talent is so strong that reverberate in every place where the exhibit and looking at more than one person, besides me, will perhaps come to see the imprint of the Divine.

I wonder what would have been if they had taken other roads, if the difficulties of the beginning, the sacrifices, or any negative feedback they had been stopped. But perhaps the talent lies in this: in an inner strength that makes you never give in and that forces you to exercise iron discipline, integrity in that you do not give excuses and justifications instead of forcing you to go always a little 'more beyond your limits. In spite of everything.

talent you can not hang all'attaccapanni when we come home: it is an essential quality of our life more than anything is what makes us who we are, is there with us when we go shopping or chatting with friends at bar is a light that shines and as such must be left in sight, not only because it's nice to admire, but also because it makes visible around the eyes that otherwise would remain in the shadows.